![]() Mute the AUDIO track that gets the direct mic input and put it in record. Set AUDIO track 2 to an open bus, the AUX track's output to that same bus, and the AUX track input to the mic. On Audio track 1-set its input to the mic. Create two mono AUDIO tracks, plus a mono AUX track. I suggest an experimental session for you. Don't feel compelled to "slam" input levels. While that made sense then, with a digital recording setup, noise is rarely an issue, hence the phrase, "yellow is the new red". Consider that the concept of recording hot is actually tied to the "old school" practice of maximizing signal to noise, going to tape. No doubt about your goal Many of us feel that "heavy" compression while tracking is a bad idea because you can never undo it. My only reasoning for wanting to use it is simply because I have it and thought perhaps it could be an added bennifit.increasing gain levels while doing heavy compression on peaking Please let me know as my goal is simply to have the best vocals possible. The compressor was given to me so if it's not the best route I won't lose any sleep. My studio mic is listed in my signature (mxl 4000) and it's a very good mic so the pro tool plug ins may suffice. Meanwhile, the Mbox 3 preamps is a solid performer, and you might get better "bang for the buck" by buying a better microphone(which you never mention) and/ or adding some acoustic treatments to your space(the best mic in the world can sound like crap in a bad room) Now, if you really want to improve the signal going in, I would save up until you can afford a very good channel strip(like the API or Grace boxes) or get a small lunchbox(API 500 rack) and stuff it with a really good preamp, compressor and EQ modules. While mixing, there are so many better sounding compressor plugins, and none will entail the round trip out and back, with the associated latency to compensate for or the patching you may need to constantly change. ![]() With this compressor, as with any inexpensive piece, I would skip it and use plugins. Expansion and compression in one box, and it also worked quite well - but I did take the time to learn the ins and outs of what I was doing first. For years I recorded all vocals through a DBX 266XL, before I treated my room. For stuff like that, anything that can reliably reduce gain is worthwhile - even those one-knob compressors built into cheapo yamaha mixers! I used one of those for a long time (Yamaha MG124C) when doing tutorial vids, just so I could narrate live and have my voice at just the right level versus the other audio, without having to edit anything. Like someone using Skype or Teamspeak or whatever. But does not cover the use case of someone wanting a compressor on the way in, just for the utility of gain reduction.
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